London: Everyman’s Library, 1992. Large post octavo. pp. xxxii, 1076, [8]. Bound by Des Breen in quarter olive green morocco over marbled boards, spine divided into six panels by five raised bands, title in gilt on black morocco label in the second, the remainder blind tooled to a Celtic interlacing design. Housed in a leather-entry slipcase on marbled boards with a mini statue figure of Joyce in recess on spine with a marble stone. Top edge gilt. A fine copy.
Finely bound editions of Ulysses by James Joyce are among the most desirable treasures in modern literature collecting. First published in 1922, Ulysses is widely regarded as one of the greatest novels of the twentieth century, and collectors prize copies that are beautifully and expertly bound. A finely bound Ulysses may feature full morocco leather, gilt lettering, raised bands, decorative tooling, and hand-marbled endpapers, often crafted by master binders. Such bindings not only enhance the book’s aesthetic appeal but also protect this monumental work for generations to come.
For serious James Joyce collectors, a finely bound Ulysses offers both literary significance and exquisite craftsmanship. These editions are often produced in limited numbers or customised to order, making each copy unique. Many collectors seek bindings from renowned workshops such as Bayntun-Riviere, Sangorski & Sutcliffe, or Zaehnsdorf. Condition, provenance, and the quality of materials all influence value.
Whether it is a first edition, a limited press printing, or a later high-quality edition, a finely bound Ulysses is a centrepiece in any rare book collection. Its enduring cultural importance, combined with the artistry of fine binding, ensures that these copies remain highly sought after in the rare and antiquarian book market.
[L1 Joyce]
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